“The placing of the personality in a particular part of the body is cultural. Most Europeans place themselves in the head, because they have been taught that they are the brain. In reality of course the brain can’t feel the concave of the skull, and if we believed with Lucretius that the brain was an organ for cooling the blood, we would place ourselves somewhere else. The Greeks and Romans were in the chest, the Japanese a hand’s breath below the navel, Witla Indians in the whole body, and even outside it. We only imagine ourselves as ‘somewhere’.”

                            Keith Johnstone, Impro (1979)

                            Crimson Pro by Jacques Le Bailly

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                            There is nothing wrong with spending a night in jail if it means getting the shot you need. Send out all your dogs and one might return with prey. Never wallow in your troubles; despair must be kept private and brief. Expand your knowledge and understanding of music and literature, old and modern. That roll of unexposed celluloid you have in your hand might be the last in existence, so do something impressive with it. Carry bolt cutters everywhere. Thwart institutional cowardice.

                            From A Guide for the Perplexed

                            Archivo Black Lora

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                            Out to Lunch stands as Eric Dolphy’s magnum opus, an absolute pinnacle of avant-garde jazz in any form or era. Its rhythmic complexity was perhaps unrivaled since Dave Brubeck’s Time Out, and its five Dolphy originals—the jarring Monk tribute “Hat and Beard,” the aptly titled “Something Sweet, Something Tender,” the weirdly jaunty flute showcase “Gazzelloni,” the militaristic title track, the drunken lurch of “Straight Up and Down”—were a perfect balance of structured frameworks, carefully calibrated timbres, and generous individual freedom. — AllMusic Review by Steve Huey

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